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Supreme Court decision , which invalidated state laws prohibiting. The film was produced by and Raindog Films, and distributed by. The film takes inspiration from The Loving Story 2011 by Nancy Buirski, a documentary which follows the Lovings and their landmark case. The film was directed by , who also wrote the screenplay. The locations used for Loving were mainly based in Richmond, also in , , , and. Loving began a in the on November 4, 2016, before a on November 11, 2016. The film received positive reviews, and was named one of the best films of 2016 by several media outlets. The film was selected to compete for the at the , and was nominated for numerous awards, including a nomination for for Edgerton and and nominations for Negga. Richard Loving, a white construction worker in , falls in love with a local black woman and family friend, Mildred Jeter. Upon Mildred discovering that she is pregnant, they decide to marry, but knowing that violates Virginia's , they drive to to get married in 1958. Richard makes plans to build a house for Mildred less than a mile from her family home. Soon afterward, sheriff's deputies raid Mildred's home and arrest the Lovings. When Richard points to the marriage license, Sheriff Brooks curtly tells him that it has no validity in Virginia and hauls them both to jail. They plead guilty to breaking the anti-miscegenation law and are sentenced to one year in prison. However, the judge suspends the sentence, on condition that they not return to Virginia together for at least 25 years. The Lovings move to Washington to stay with a friend of Mildred's. They briefly return to Caroline County so their first child, Sidney, can be delivered by Richard's mother, a. Arrested again, they are cleared when their lawyer says he erroneously advised them they could return. Mildred and Richard have two other children together, Donald and Peggy. However, Mildred grows frustrated by being away from the country, and her frustration grows when she watches the. She writes to for help. Kennedy refers them to the. Lawyer takes the case and confers with constitutional law expert Phil Hirschkop. They conclude that the Lovings' ordeal has a good chance of going all the way to the - and overturning similar anti-miscegenation laws across the nation. After a minor auto accident involving one of their children, the Lovings decide to slip back into Virginia, settling in a remote portion of while their case moves through the courts. Their case gains wide attention, and is profiled in by photographer. The state contends that people of different races were never intended to live together, and goes as far as to suggest the Lovings' children are bastards. The refuses to set aside the Lovings' conviction. Undeterred, Cohen and Hirschkop appeal to the federal Supreme Court. Before going to Washington, Cohen asks Richard if he has a message for the justices. The film ends with the Lovings back in Caroline County, working on their dream house. Richard dies in a car accident in 1975, while Mildred continues to live in the house Richard built for her until her death in 2008. And conveying so much with so few words was one of the biggest challenges. He spoke of the influences in ' 1988 , recommended by Nichols, which assisted in his finding of Richard's accent. Both Nichols and Edgerton felt the main challenge of bringing Richard to the screen was the question of where he fell on the intellectual spectrum, as Richard was not well educated nor naturally gifted, and may not have understood the case's complexities or its social ramifications, with both actor and director holding conversations on the subject. When you don't have much to say, it's hard to latch onto that cadence. A man who slumped because he spent his days hunched over a pile of bricks. One day on set she called me 'Daddy' and it was like the greatest blessing I've ever had. During 2013, while preparing for , Francine Maisler suggested Negga to Jeff Nichols and Sarah Green. I was looking for great actors. You know, the screenplay is so beautiful and I wanted very much to be part of that. Having become familiar with them, I think their story needs to be told and shared and honored and celebrated. She saw what maybe Richard didn't want to see, that they weren't going to get out of this by running away or putting their heads in the sand. She was a very astute woman. After those five days in jail, she realized that the fairy tale was over. Nichols invited Negga and Edgerton to Virginia for two weeks to visit the various locations, do prep work, and visit special places related to Richard and Mildred, two weeks prior to. When I was playing her, I tried to imagine I couldn't go home again because of whom I married. It must have drained the lifeblood from her. Mildred was a bit more educated than he was, but I think everyone else underestimated their tenacity, their belief in themselves, their love for each other, and their respect for each other. But what's important is that people are coming out of this movie genuinely moved because what they see is kindness. One of the more difficult roles to cast was that of Sheriff R. Garnett Brooks, with Nichols himself not seeing Brooks as the bad guy of the story or even as a nemesis to the couple, noting that the lawman's beliefs about race and marriage were commonplace. It's not something I'm proud of, but I understand how these attitudes are perpetuated, and that everyone sets, or has set, their own point of view. It was important that Brooks not be played as the slack-jacked and mean Southern sheriff stereotype. After meeting Csokas, Nichols was intrigued by his perspective on the part. They were born and raised in a part of the South that didn't necessarily see the lines between color, and his stance was, God put those lines there. The statements Sheriff Brooks makes are indicative of the status quo and what people believed. That was the law at the time. So he was doing his job to the nth degree, which is important to quantify. And she made that stipulation. There's a real sense even among the locals to want to address that side of their history. It just started to make sense. He came to to see me and talk about the part. Honestly, I just thought it was an inspired choice. There are no cameras in the room, but he is putting on a performance to persuade them that he is the right lawyer for their case, even if he isn't entirely sure of that himself. At the end of the scene, you see him sort of break character. It was exciting to get the call that I was being considered for LOVING, because of this filmmaker and this subject. And I went to Georgetown. So I had a number of weird connections to the whole thing, including the fact that I've played a defense lawyer before, a very different kind of defense lawyer, in that Rodney Ruxin represented the worst people in the world. They see the power of the individual and their ability to make change in the country outside of the system. Nichols sent Shannon the script, although the two hadn't spoken about what role he was potentially going to play. And as you'll see when you see the film, he's kind of gregarious. Like he becomes their friend, so that he can take these really delicate photos. It was also the hardest to shoot because it started to rain, and then we kept stopping and starting. Once we got to the dinner scene, that went fast. We did the couch scene, and I was done. Additionally, Terri Abney is introduced as Garnet Jeter, the sister of Mildred; appears as Raymond Green, the best friend of Richard; appears as Phil Hirschkop, a Virginia civil rights lawyer, and associate of ; appears as Frank Beazley, a former lawyer to the Lovings; David Jensen appears as Judge Bazile, the judge who indicted the Lovings in 1958 for violating Virginia's Racial Integrity Act; Sharon Blackwood appears as Lola Loving, Richard's mother; Christopher Mann appears as Theoliver Jeter, Mildred's father; Winter-Lee Holland appears as Musiel Byrd-Jeter, the mother of Mildred; appears as Deputy Cole, one of the law officers charged with arresting the couple; Chris Greene appears as Percy Fortune, a good friend of the Lovings, in particular, Richard; Will Dalton appears as Virgil, a very loyal friend to Richard. And it didn't take long. Pretty much from the moment it ended I had my approach which was to concentrate on the day-to-day lives of the Lovings. And there's potential for someone to make a film like that out of this story so if you guys really want that then I'm not the right guy for you. But if you're willing to go this other way then let's keep talking. Buirski herself had recently read the obituary of Mildred Loving in , and spoke to Firth about her plans on making a documentary about the couple. Buirski had been in contact with Firth regarding a feature version of the story after learning of his interest in and , to which Firth and herself began to brainstorm a narrative structure as well as beginning work on a screenplay. In June 2012, after watching 2011 , producers Colin Firth, Ged Doherty and Nancy Buirski approached director , as they believed him to be the perfect writer and director for the project. On May 16, 2013, reported that in conjunction with Nancy Buirski at Augusta Films, 's Raindog Films and Silver Reel are developing a feature film on and , inspired by Buirski's documentary. Firth had initially toyed with the idea of writing the Loving, however, at 's recommendation, who was eager to see The Loving Story 2011 turned into a feature, both Firth and Buirski hired Nichols. On May 8, 2015, reported that was boarding the project as director and will write the script, with and starring as Richard and Mildred Loving, respectively, the interracial couple at the center of the famous 1967 civil rights case. On May 8, 2015, it was announced that Big Beach and Raindog films are to produce Nichols' piece, with producers including , Colin Firth, , Nancy Buirski, Marc Turtletaub, and. In addition to Shannon and Kroll, on September 22, 2015, , , and were cast as Frank Beazley, Sheriff Brooks, and Phil Hirschkop, respectively. The letter of the law sometimes gets it right. But it takes a long time for society to get it right, and that is what has always been surprising to me. We never got over that hurdle, and maybe we never will. That made me feel good that just by making this movie people are going to talk about inequality. Had I tried to make a movie that encompasses the civil rights movement, I would feel like a fraud. Usually, it's a subjective thing watching your own movies. But this was different. I was standing back, happy about the ultimate Supreme Court decision, but I did feel a very deep anger. Today, it's about same-sex couples getting married. What business is it of anyone but the two people involved? Filming Principal photography for Loving took place in Richmond, Virginia. On May 14, 2015, Andy Edmunds, director of the , confirmed that filming will take place from to , Virginia. As the piece will film in the central Virginia area, Loving will be eligible for a , with the exact amount based on expenditures in Virginia and certain deliverables to promote tourism in the. On June 16, 2015, it was announced that Ged Doherty, Colin Firth, Nancy Buirski, Sarah Green, Marc Turtletaub and Peter Saraf were holding three casting calls open to people of all ages and ethnic backgrounds on June 25, June 27, and June 28, with over four-thousand people turning out. On September 19, 2015, it was confirmed that Loving would film numerous scenes at in October and early November. On September 29, 2015, the in was converted for scenes up until the period of September 30. On October 9, 2015, 's Main Street had been transformed to resemble a scene from the late 1950s, with the production team blocking off Main Street and shooting in front of the original courthouse. On October 12, 2015, filming occurred outside 2201 E. Franklin Street, Richmond between the hours of 6 a. On October 15, 2015, vintage vehicles were spotted in the area around Venable Street in. On October 28, 2015, filming had begun in , with the main filming location occurring along Sycamore Street from Washington Street to Bank Street from 7 a. On November 3, 2015, with filming occurring at the , Richmond, Virginia. On November 19, 2015, the final day of filming, shooting took place at in , Virginia and other locations across Virginia. Filming also took place in , in , , , , , Crewe's Place in , and , as well as scenes on private property in the localities of , , , and. Principal photography was confirmed to have ended in Virginia on October 27, 2015, however, additional periods of shooting were added with filming being push up until November 19, 2015, while with beginning subsequent to filming closure, and on April 1, 2016, still occurring during the press tour for. Cinematography XL2s are ideal for any shooting configuration and, coupled with the lush G Series lenses, make everything look superb. They are perfectly imperfect. They provide beautiful imagery without being overtly precise or clinical. The best word to describe the lenses is 'soulful,' similar to an old Leica rangefinder or a really good wine. Loving was shot on with small cameras in a of by Adam Stone. They are so awesome. We used some day-for-night driving shots at dusk, and could have benefited from an for 's. Of course the Vision stock is so well put together, you could shoot everything on 500T and it would still hold up great. As well as the Panavision XL2 with G Series anamorphic lenses, Stone employed the usage of a J. Fisher 10 , a J. Fisher 23 , and a Mo-Sys Hot Head to put the film camera right over the actors as they moved about, in order to get closer to the actors. We used a dolly with a boom and a hothead for more stability. We work against that. Mildred was in love with this countryside in Virginia, enough to leave her home in D. Erin Benach, who worked with Nichols previously on Midnight Special 2016 , explained that for Loving she had a large amount of historical imagery, and rich material to sift through, including Buirski's The Loving Story 2011. What did they wear? You find all of that by looking through images of the place and the people as they were during that time. On Mildred's move to , Benach was mindful of the fact there would have been a sartorial shift of sorts, ergo, with her using more of the skirts and the little blouses, as opposed to the housedresses. She went from country living to city living in a matter of a day. We thought over time, we would feel the difference between the country and the city. To me that was kind of a throw out to my dad. It was like they were there, making the film with us. Chad Keith, who worked with Nichols previously on Take Shelter 2011 and Midnight Special 2016 , commented that the greatest creative challenge was to do justice to the Lovings, while also acknowledging his interest in working on a film about actual living persons. We bounced around all over Virginia and in D. We did not want to draw attention to their environments. They were very simple people. I wanted to make what came across on screen as simple as possible as well. Sound design Will Files and Brandon Proctor were the for Loving, tasked with , while Files, as a , supervised the process. Jeff Nichols spoke of sound as a narrative construct in Loving, while mentioning the audience looking in one direction when a sound suddenly erupts from the other. Inevitably one bullfrog would jump in and then we would have to go delete it. You don't want anything to be overt or artificial. They'll just feel it. Wingo stated that 's compositions for 1978 , 1966 , and influenced the score of Loving, albeit Wingo didn't listen to them prior to scoring. Using a minimalist approach, when he could, Wingo mostly wished to reflect Richard and Mildred's emotional and psychological stakes. Wingo felt that Loving shouldn't have any big, sweeping themes because both Richard and Mildred were very shy, reserved people but having such a grace and beauty about them. He spoke of Nichols wanting him to watch Nancy Buirski's The Loving Story 2011 , as Nichols wanted the movie to feel the same way. Wingo chose the distinctive -type score to establish the musical voice of the film, and managed to gather a 14-piece of local musicians at 12th Street Sound for the recording of the soundtrack. Those pieces don't just operate in a different way than the other themes but are completely different instrumentation as well, with hardly any orchestral elements. As soon as you set up a dolly, you're changing the orchestration of the shot. Your actors have a movement that you don't want to affect or impact. Then you've got a dolly grip moving a thing. You've got another dolly grip who's on the boom arm, making it go up and down and side to side. When I look at my own marriage, that's where the love is. That's where the real work is. In approaching the story, Nichols referred to Nancy Buirski's The Loving Story 2011 , as well as a given to him by Buirski with all of the archival footage that Hope Ryden shot in the mid-'60s, every interview the Lovings ever gave. Nichols remarked that every interview that Buirski did was all their friends and relatives and people that knew them, with Nichols being in possession of all the outtakes. To prepare for their roles, both Edgerton and Negga watched The Loving Story 2011 , as well as Ryden's extensive footage. Grey Villet's photography was influential to the body language structuring by Edgerton and Negga, with Edgerton remarking that they would study the postures of the Lovings in Villet's photography. I watched The Color Purple which is a great film. I hadn't seen it in ages, and when I watched it I was looking at the detail, but I decided I didn't want to watch anything else for reference. I love this compounding of information that anamorphic allows, even in interior dialogue scenes; it makes the world feel more tangible. The film is described an film, following different emotional arcs about the human condition, including family relationships and love, as such as Nichols' Shotgun Stories 2007 , Take Shelter 2011 , Mud 2012 , and Midnight Special 2016 , wherein these themes are also explored. Nichols also mentions the themes of love, human rights, cultural and institutionalized racism, and of overcoming bigotry. According to Ruth Negga, a primary theme of Loving is hope. You're drawn to those people as well, because they inspire hope in you, and I think she was very much the rock of her family, and for Richard. You want to orbit that. The front shot of the courthouse was the same courthouse. She visited the set and was struck by how thoroughly the actors had channeled her parents — in character and in costume. According to Saraf, both and were consulted on the film, despite no longer being on speaking terms with one another. The makers of the film did change some of the details, with Nichols inventing some characters and scenes, however, he sought to stay as true to the Lovings' story as possible. Speaking to Coverage Opinions, Hirschkop expressed his view on Jon Bass' portrayal of himself, with Hirschkop remarking that Bass was too mild mannered and nothing like himself, and while Hirschkop mentions that Loving served its purpose as a film, he also listed several discrepancies between the film and what actually occurred. Mark Loving, the grandson to Mildred Loving, said his grandma is not as portrayed by with Ethiopian blood, but rather as. On October 23, 2015, promoted Loving by releasing the first image of the film, featuring Edgerton's Richard Loving and Negga's Mildred Loving. On July 12, 2016, Loving was promoted by the release of a by Focus Features, was praised by reviewers. Loving at the , on May 16, 2016 in , where it had been selected to compete for the , before screening at the , in which it had been selected to open, on June 7, 2016. On May 16, 2015, it was announced that Mars Distribution had acquired distribution rights to the film in. On February 13, 2016, announced at the that had acquired distribution rights to the film, including distribution in and international territories, such as the , and. Loving began a in the on November 4, 2016, in four locations in and , including and , before moving to a wider release on November 11, 2016. Before opening in general release across , on January 17, 2017, it expanded to , ahead of a bow in the and on February 3. On February 9, it opened in , and then in on February 15, and and on February 17, ahead of its final bow in and the on February 23. Pre-release screenings Prior to Loving's public release, on September 8, 2016, the film screened at the , where it opened in the official sidebar section, Gala Presentations. On October 6, 2016, the film was chosen to open the , followed by a private screening for students and faculty at on October 9, and the on October 13, 2016. On October 13, an advanced screening was held at in Washington, DC, featuring a panel discussion with Philip Hirschkop. Loving was selected to screen at in on October 10, until October 17, 2016. The film was selected as the closing-night film of the on October 16, and on October 20, it held its premiere at the in. On October 23, the film was screened as the Sunday Morning Spotlight section of the Middleburg Film Festival in. Subsequent showings were held at the in , on October 24, the in , on October 27, a private screening for the , at the AMC Lincoln Square, , on October 27, and on October 29, at the in. Additionally, on November 2, 2016, a private screening of the film was held for the cast and crew at the in. Next weekend, it expanded to a total of approximately 100 locations, including theaters in , , , and. On November 23, 2016, it will expand into an additional 284 theaters. In its fourth weekend, Loving topped the box office at No. In its fifth weekend, Nichols' Loving was toppled, in limited release box office, by 's 2016 , with the film subsequently falling by 41% to the No. By its seventh weekend, Loving fell to the fifth-highest-grossing film for the weekend within the limited release box office. Critical response Loving received praise for its acting, Nichols' direction and screenplay, and the film's faithfulness to the Lovings' account. On review aggregator , the film has an approval rating of 89%, based on 234 reviews, with an average rating of 7. Critics were near unanimous in praise for 's portrayal of Mildred Loving The film received a five-minute following its premiere at the. Jeff Nichols has given us a quietly devastating film that resonates for the here and now and marches to the cadences of history and the heart. Accolades Main article: Loving has received numerous awards and nominations. It had been selected to compete for the at the. It received two nominations at the for for Edgerton, and for Negga. Retrieved December 26, 2016. Retrieved 4 March 2017. Retrieved January 2, 2017. Retrieved December 12, 2016. Retrieved March 14, 2017. Retrieved January 2, 2017. Retrieved January 2, 2017. Retrieved January 2, 2017. Retrieved December 30, 2016. 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Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 26, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 19, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 26, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Carney, Brian October 13, 2016. Retrieved December 15, 2016. Retrieved December 19, 2016. Retrieved December 19, 2016. Retrieved December 16, 2016. Retrieved December 30, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 16, 2016. Retrieved December 16, 2016. Retrieved December 30, 2016. Retrieved December 26, 2016. Retrieved December 26, 2016. Retrieved December 30, 2016. Retrieved December 26, 2016. Retrieved December 29, 2016. Retrieved December 29, 2016. Retrieved December 29, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 29, 2016. Retrieved December 29, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 29, 2016. Retrieved December 29, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 29, 2016. Retrieved December 30, 2016. Retrieved December 29, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 30, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved December 15, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved January 8, 2016. Retrieved December 13, 2016. Retrieved January 8, 2016. Retrieved December 13, 2016. Retrieved January 8, 2016. Retrieved December 16, 2016. Retrieved December 13, 2016. Retrieved December 19, 2016. Retrieved January 5, 2017. Retrieved December 16, 2016. Retrieved December 29, 2016. Retrieved December 19, 2016. Retrieved December 19, 2016. Retrieved January 7, 2017. Retrieved December 13, 2016. Retrieved December 29, 2016. Retrieved January 7, 2017. Retrieved December 13, 2016. Johnson, Brian December 14, 2016. Retrieved December 15, 2016. Retrieved January 8, 2017. Retrieved December 21, 2016. Anderson, Jeffrey December 29, 2016. Retrieved January 7, 2017. Retrieved January 8, 2017. Retrieved December 29, 2016. Retrieved December 24, 2016. Retrieved December 16, 2016. Retrieved December 16, 2016. Retrieved December 31, 2016. Retrieved January 12, 2017.